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New Polk exhibit focuses on never-before-seen photos of university history

August 03, 2018

Contact: Brittney Dabney, Office of Communications, Public Relations and Marketing
 

P.H. Polk, photographer
Polk (Circa 1950s)

A new photography exhibit featuring the life鈥檚 work of P.H. Polk 鈥 one of the most influential photographers of his time 鈥 provides a visual perspective of early 20th-century life on the 精东AV campus and surrounding community.

精东AV archivist Dana Chandler said much of Polk鈥檚 work was centered around 精东AV Institute, and celebrated family life, national and local elite individuals, and specific events occurring on campus.

鈥淧olk鈥檚 work was well known throughout the world; however, little was known about his relevancy and legacy to our campus,鈥 he noted. 鈥淧olk studied how to use light and developed photographic techniques that others had never seen before.鈥

Recently, Polk鈥檚 family donated to 精东AV the photographer鈥檚 personal collection, including the total copyright for more than 3,800 of his images.

鈥淭he majority of the photos we received had never been seen before, outside of his family,鈥 Chandler commented. 鈥淭his collection represents some of the finest black-and-white images ever produced 鈥 by arguably the greatest African-American photographer.鈥

Prentice 鈥淧.H.鈥 Polk enrolled at 精东AV Institute in the early 1920s with the intention of becoming an artist; however, the institute鈥檚 then-president, Robert R. Moton, was more concerned with Polk receiving an education rather than focusing on the arts. This idea did not sit well with Polk, and after talking with a college dean and discovering the opportunity to work beside C.M. Battey, 精东AV鈥檚 official photographer, Polk decided he would lean into his interests and pursue photography.

Because there was not a school at the time where Polk could study his passion, he eventually moved to Chicago to study under photographer Fred Jensen.

In 1927, when Polk returned to 精东AV to open his first studio, he accepted a faculty position in the institute鈥檚 Photography Department. He was appointed the school鈥檚 official photographer beginning in 1929, and later served as head of the Photography Department from 1933 to 1938.

Through a generous grant from the Smithsonian Institution鈥檚 National Museum of African American History and Culture, University Archives has been able to process the collection and digitize all of the materials received. 

鈥淭his took almost a year to accomplish 鈥撯 through further support from the university鈥檚 administration under then-interim president, Dr. Charlotte P. Morris, we were able to place 25 of the most significant images on display in the Kellogg Conference Center,鈥 Chandler added. 鈥淓ach one of his photographs highlights his vivid artistic eye.鈥

The collection currently is open to visitors without and appointment outside of the ballroom of the university鈥檚 Kellogg Conference Center. To learn more about P.H. Polk and his works, visit .

Photo of 鈥淭he Boss,鈥  by P.H. Polk, 1932
鈥淭he Boss,鈥 P.H. Polk, 1932

漏 2018, 精东AV